SOLAR SIGHT II
EUTERPE
•
10m
Basking in time. Many of the approaches to the cut-out material are the same as in first part, however the second SOLAR SIGHT is a much different film. It is more meditative. It has a somewhat slower pace. Lawrence Jordan tried to let the cut-outs float more gracefully. Again, John Davis' music forms an integral part of the meditation. [Jordan uses the word "meditation" because that is how some of his very astute friends described it to him on the first viewing.] The approach is partly planned, partly improvised under the camera. There has been little or no editing outside the camera for many years in his animation. All effects are done in-camera.
Up Next in EUTERPE
-
SOLAR SIGHT III
In the third SOLAR SIGHT, completing the trilogy, Lawrence Jordan continues the dream-like form of disparate animated scenes, each with its own "romantic-with-an-edge" slightly surreal flavour. Scenes are sometimes run-on, sometimes separated by brief periods of darkness to relax (as in breathing...
-
SOME MISTAKES I HAVE MADE
"Mistakes are a gift to begin to imagine." - Stéphane Mallarmé
In SOME MISTAKES I HAVE MADE, Janis Crystal Lipzin re-imagines almost fifty years of Super-8mm, 8mm, 16mm and half-inch video outtakes, experiments, accidents, processing errors and unplanned occurrences calling attention to the cons...
-
SOPHIE'S PLACE
Fully hand-painted cut-out animation and the culmination of five years' work. Totally unplanned, unrehearsed development of scenes under the camera (yet with more "continuity" than any of the previous Lawrence Jordan films) this "alchemical autobiography" meditates on a few phase of the life of t...
