THE APPARITION
LAWRENCE JORDAN
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59m
Writer / director Lawrence Jordan's intention was to follow the idea of James Agee to present "an imaginary story against a background of reality." The imaginary story in this instance is of Paul Rose and his past incarnation in classical Greek times. Jordan collaborated with George Kuchar (who constructed special sets for the film).
"Mr. Jordan sets up a central figure to whom a dream belongs, and the figure simultaneously constructs it and dreams it. The figure is Paul, a maker of experimental films and commercials.
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Hallucination and reality shift back and forth. We see Paul experiencing his visions, telling about them afterward, and—he is a filmmaker, after all—setting them up.
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There is a charming openness in the way Mr. Jordan blurs the lines between fantasy and reality, and between fantasy and fraud." - Richard Eder, the New York Times
Up Next in LAWRENCE JORDAN
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BELLE DU JOUR
In a timeless world of surreal possibilities, the conjunctions and strange meetings of humans, animals and improbable objects coalesce, linger and move on to the truly timeless and ethereal music of John Davis.
There are no hidden meanings in these conjunctions except those that form in the mind...
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BEYOND ENCHANTMENT
Where all is static motion, where music and light become one, where change and motion become one and where the end is the beginning. Black-and-white cut-out animation with touches of color. Ladies of the past encounter science and natural phenomena.
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BIG SUR: THE LADIES
An "in-camera" document or journalistic writing on film with no subsequent deletions or re-ordering. The first partly-pixilated "diary film" of which the filmmaker is aware.
As with RODIA-ESTUDIANTINA, only one shot (which probably was the result of lapse in concentration), deleted from the orig...
