DAY OF THE DEAD
UNSEEN CINEMA
•
4m 8s
Sergei Eisenstein's ill-fated trip to Hollywood and then Mexico influenced many American film enthusiasts. Of all the beautiful images captured by Eisenstein in Mexico, some of the most fascinating involved rituals and dance. The DAY OF THE DEAD images mix masks with machine movements. — Bruce Posner
Up Next in UNSEEN CINEMA
-
EAUX D'ARTIFICE
The Villa d'Este sculpture gardens frame the nocturnal exploits of a Baroquely-dressed masked figure darting about a waterworks of gushing fountains. Jets of water form a mesmerizing erotic fantasy paying homage to abstract visual music, early silent cinema and Sergei Eisenstein's spectacular "cr...
-
THE ECLIPSE
Arguably the most celebrated "found footage" film in existence, Joseph Cornell found a second-hand 16mm print of the early-1930s Pre-Code adventure epic EAST OF BORNEO and re-edited the footage to showcase the splendor of its star, Rose Hobart. Slowed to 18fps and commingled with documentary mate...
-
ESCAPE
Based upon mathematical calculations proposed by Joseph Schillinger and meticulously drawn-out by Mary Ellen Bute on animation cels, ESCAPE [SYNCHROMY NO.4] reveals Johann Sebastian Bach's TOCCATA (transcribed by Leopold Stokowski from the TOCCATA AND FUGUE IN D MINOR) as a series of pulsating li...
