THIMBLE THEATER
UNSEEN CINEMA
•
6m 11s
In opposition to conventional cinema, where emotional manipulation is the norm, Joseph Cornell's movies and "goofy newsreels" are highly suggestive enigmatic collages. His fractured narratives defy easy interpretation, even with those employed by the French surrealists of the 1920s. His elliptical montages do not jell into unified wholes as much as they radiate an appealing unworldly vibration.
“Cornell’s editing tactic is to seduce through the use of dislodged movie tropes. Hence the viewer is cut loose from any normal meanings to pursue the snippets of clips and fragments taken from long-forgotten obscure movies. One is encouraged to let the Cornellian montages wash over them in an endless reverie of ecstatic moments.” —Bruce Posner
(compiled circa-1930s / completed 1968) | Joseph Cornell [completed by Lawrence Jordan]
Up Next in UNSEEN CINEMA
-
TWENTY-FOUR DOLLAR ISLAND
In the year 1626, the Dutch bought from the Native Americans the island of Manhattan for the total sum of twenty-four dollars. Here they founded the city of New Amsterdam which, within thirty years, had a population of 1,000 people. Three centuries later, New Amsterdam grew into New York with eig...
-
UNGLASSED WINDOWS CAST A TERRIBLE REF...
"The second film by Stan Brakhage [starring Lawrence Jordan and a handful of other actors] originally featured original music composed by James Tenney. The score was never recorded. In its place, 'Mr. Tenney has selected [Béla] Bartok's SECOND PIANO CONCERTO as a suitable background for the film,...
-
WORLD IN REVIEW
"Soon there will be shown to the workers of New York the evidence gathered by the keen eyes of our cameras. This evidence is totally unlike anything shown in newsreels taken by capitalist concerns, Whereas the capitalist cameramen... were constantly on the lookout for sensational material..." — ...