MOONLIGHT SONATA
LAWRENCE JORDAN
•
4m 3s
Animated to the rhythms of the fifth "Gnossienne" by Erik Satie. The moon and moonlight are the guiding lights of this visual interpretation and Lawrence Jordan kept the backgrounds in soft greens and blues accordingly. Only the cosmic tumbler, whose enigma is emphasized by his red color, breaks this pattern. Satie's music simplified and refined the imagery, made it the celestial circus of which Jordan had always dreamed. MOONLIGHT SONATA begins a new phase in his animation. He was finally getting in touch with the possibility of real poetry. All works of art seem to come ready-made with their own sets of rules and, in this film, only very simple movements were permitted.
Up Next in LAWRENCE JORDAN
-
NIGHT LIGHT
Primarily in black-and-white with touches of color, the engraved artwork was filmed on color negative in order that subtle variations in tone are recorded.
The mood—enhanced by John Davis’ original music—is dream-like. It is both lyric and crackling, producing a kind of anticipatory tension. The...
-
THE OGRE'S GARDEN
Despite its title, this brevity is somewhat romantic. We do see the ogre, however. He inverts himself into the action throughout the film. As usual, the action is partly symbolic, partly surreal (if those two can ever be separated). Toward the end, Eadweard Muybridge still-sequences are brought t...
-
THE OLD HOUSE, PASSING
"THE OLD HOUSE PASSING is, to me, more than just a 'great film' / 'a work of art.' It is, as a matter of careful thought, the only motion picture drama I have ever seen which engenders vision, rather than cutting it back to 'sights' of minded hieroglyphs in movement and / or shifts of symbol stas...